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Irish Museum of Modern Art


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The Best of Frieze Week

 

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October is the month that the art world flocks to London for the weeklong contemporary art fair known as Frieze.  The Fair now also includes Frieze Masters where your chequebook can get you anything from a Rembrandt to a Francis Bacon.

But there’s more to ‘Frieze Week’ in London than the commercial interests of auction houses, galleries and art collectors.  October in London provides a glimpse into some of the best emerging and established contemporary art.

So IMMA’s Exhibitions and Collections curators were there navigating their way through Regent’s Park, Shoreditch and Bermondsey seeing familiar favourites and emerging standouts alike – some soon to be shown at IMMA including Karla Black and Linder Sterling at Stuart Shave/Modern Art, Conrad Shawcross at Victoria Miro and Stan Douglas at David Zwirner.

Here were their Top Fives

Christina Kennedy, Head of Collections

1.  Brian O’Doherty at Simone Subul, Frieze Focus

A unique collection of outstanding Conceptual and language-based artworks by Brian O’Doherty mainly from the 1960s and 70s, such as you never see in one place these days and which have now gone to various museum and private collections.  Chris Dercon described O’Doherty at Simone Subal as ‘the best in this section of Frieze.’  O’Doherty is one of those very rare Irish artists of his generation that achieved major international stature and who provides lineage for so much contemporary practice.

2.  mothers tankstation, Frieze Focus

Ara Dymond – what a find.  She is a young artist from Hawaii whose sculptural works here are made from hoodies dipped in silicone placed on transparent Perspex plinths inside of which are sand bags, floating yet weighty…a new confrontation of object and support with overtones of a showcased designer collection.

Also, Fergus Feehily’s small white panel, disappearing save for the glow of its painted sides…wonderful.

3.  Turner Prize Shortlist at Tate Britain

Dublin born Duncan Campbell is far and away the best of the Turner Prize shortlist.  The film It for Others is a tour de force that explores the documentary presentation, mechanisms of staging and the power of juxtaposed images to prompt and shape how we think about and perceive culture.  Especially striking are the Constructivist style sequences of dances in black on a white ground. Filmed from above by Campbell, with choreography by Michael Clarke.

4.  Paul Graham photography at Anthony Reynolds Gallery, Frieze

5.  Modern artists under the radar at Frieze Masters

Romare Bearden at DC Moore Gallery & Ray Johnson at Richard L. Feigen & Co. Both of these artists’ work seems to be making a comeback over the past 10-15 years and for good reason.  Their art has been under the radar for a long time, so it’s refreshing to see them at Frieze Masters, both of which have works in IMMA’s Novak O’Doherty Collection.

6.  I couldn’t choose just 5

Wolfgang Tillmans at Maureen Paley.  I especially loved his Portrait of Isa Genzken.

Rachael Thomas, Head of Exhibitions

1.  Project 88, Frieze

Great new work from India.

2.  Ed Fornieles at Chisenhale Gallery, Bethnal Green

There were children bouncing around, hot tubs bubbling away, actors as hipster parents walking around with the visitors, while adult entertainment looped on old TV sets in the corners.  It was surreal and strangely fun.

3.  Etel Adnan at White Cube, Bermondsey

Walking past the huge galleries devoted to Tracy Emin in White Cube, Adnan’s space was intimate and alive.

4.  Linder Sterling at Modern Art, Frieze

Linder Sterling’s work will be a part of IMMA’s Primal Architecture opening 7 November.  We are also really excited to have one of her Limited Editions available in the IMMA Shop!

5.  mothers tankstation, Frieze Focus

Nina Canell’s work stood out as always.

Marguerite O’Molloy, Assistant Curator: Collections

1.  Kate MacGarry, London, Frieze

MacGarry showed a strong booth focused on a single artist Goshka Macuga whose complex research-led practice demanded in-depth consideration, and the use of the booth space was really clever.  From a wall hung a large monochrome tapestry of the living room interior of one of the trustees of the MCA Chicago where Macuga recently completed a year long residency.   It formed the theatrical backdrop to gallerists seated on adapted Eames chairs whose Perspex seats were shaped around photographs of Angela Merkel and other characters from Macuga’s Preparatory Notes for a Chicago Comedy.

2.  Franz Erhard Walther, Frieze Live

Two pieces by Franz Erhard Walther from 1968 & 1975 used the newly designed floor space of the fair really well.  Although placed prominently, some visitors seemed to ignore the space – perhaps because the performance piece was without the ubiquitous booth walls.  The area was delineated by metal floor sculpture and a plinth, both serving as elements within the performances.  These were quiet, thoughtful actions that brought a welcome stillness and contemplation to the buzz of the fair.

3.  Antony Gormley Studio

During Frieze, I did a studio visit to Antony Gormley’s.  He will soon be visiting IMMA to discuss the commissioning of Still Falling I currently installed in our First Floor Galleries.  During the visit, it was great to see the new direction his work has taken and to see the scale model for his planned solo show at Galerie Thaddaeus Ropac in Paris – a booth also at Frieze  that showed a single imposing large steel structure by Gormley called Turn IV.  From his Expansion series, the sculpture gave a sense of how impressive the Ropac show will be with 62 such figures occupying a 4,700 square meter space (the gallery was formerly a factory that produced heating systems on the outskirts of Paris).

4.  Standout Sculpture at Frieze 

Sculptures by installation artists Agnieszka Kurant, Sara Sze and Lee bul were very modest in scale due to the nature of the fair, but it was nice to see their work.   Kurant’s pile of shiney coins bouncing light off the booth walls produced from 25 cent coins where the phrase “quarter dollar” was replaced by the phrase “minus one dollar.”

Oh, and Michael Craig Martin’s giant scissors in the Sculpture Garden.  His painting from the IMMA Collection Eye of the Storm is currently on show at IMMA until 9 November.

5.  Artists in the IMMA Collection at Frieze

Mark Manders at Zeno X; Tim Rollins and K.O.S. at Galleria Raucci/Santa Maria; Nina Canell and Fergus Feehily at mothers tankstation; Eva Rothschild at Stuart Shave/Modern Art; Tony Cragg at Marian Goodman Gallery; Eric Bainbridge at Workplace Gallery; and Brian O’Doherty at Simone Subul

And a few more…

Highlights from the week also included Anselm Kiefer’s “most significant exhibition in the UK” to date at the Royal Academy of Arts (Royal Academy), Joyce Pensato at Lisson Gallery whose work sold out at the stand (ArtNews),  Idris Khan’s Nude Descending Staircase at Victoria Miro, Sigmar Polke at Michael Werner, Pakistani artist Imram Qureshi at Corvi-Mora Gallery and Helly Nahmad Gallery’s The Collector at Frieze Masters.


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IMMA Winter Opening Weekend details :: Primal Architecture and Duncan Campbell

 

imma winter opening

For image credits see footer

Join us for a weekend programme of activities including the opening of our winter exhbitions Duncan Campbell and Primal Architecture, talks, tours, and music drawn from the exhibitions across IMMA.

IMMA’s Winter Opening Weekend

Friday 7 November

6.00 – 8.30pm, Official opening of Duncan Campbell and Primal Architecture. If you’d like to attend the opening please join our mailing list here (make sure you tick ‘Invitations’).

The opening of Primal Architecture includes live performances:

Kevin Atherton, Timepiece (1974–2014)
6.00 – 7.00pm, IMMA Courtyard

Bedwyr Williams, 20º (2014)
7.15pm, IMMA, First Floor, Landing

The opening reception is followed by Primal Rising, a live music and DJ night which marks the start of IMMA’s winter opening weekend.

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Morn at Museum LoRes Trish Maggie 27.08.14 SAM_0087 (640x479)


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Mid-Term at IMMA :: Free workshops next week

Halloween is nearly here and IMMA has a host of workshops and activities for families and young people during the mid-term break. Following on from a successful first series during the summer holidays, the free family workshop Mornings at the Museum returns, from Tuesday 28th to Thursday 30th October and Explorer, IMMA’s on-going weekly family workshop, bookends the mid-term break on Sundays 26th October and 2nd November, 2pm – 4pm. For Young People we have a very hands-on, artist-led workshop with Felicity Clear connected to the IMMA Collection exhibition Conversations, and the fantastic Theatre Lovett, purveyors of fine theatre for children, women and men, return for their unique take on the IMMA Collection through Conversations, Exhortations, Exhaustions. See below for all the details and how to book. Continue reading

Valerio Adami, Beauty Parlor, 1970.


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Curators Blogs: Christina Kennedy on David Hendriks

Currently on view from the IMMA Collection is an exhibition of works that not only shows particular artists’ practice at a given time but also consciously draws attention to a key figure in the story of cultural production in Ireland, in this case David Hendriks and his renowned gallery.  First called the Ritchie Hendriks Gallery (as a tribute to his Hendriks’ grandmother) it was later renamed David Hendriks Gallery.

Originally from Jamaica, Hendriks came to Ireland via London to study economics at TCD.  Encouraged by friends including Cecil King and Patrick Hennessy he opened his gallery in 1956 first at 3, St Stephen’s Green and from the early 1960s at No. 119 which he ran until his death in 1983.  The early years of the Hendriks Gallery coincided with the extreme recession of the 1950s when there were very few opportunities for artists to have their work seen or less still bought.  Leo Smith was the only other gallerist who had recently opened the Dawson Gallery. Victor Waddington was in the process of moving his gallery to London. Along with some private income Hendriks set up a framing business to help subsidize the gallery’s activities.

From the beginning he showed a variety of artists as well as exhibitions of prints by Picasso and Matisse. His initial list of Irish artists included Patrick Collins, T.P.Flanagan, Patrick Pye, Cecil King, Arthur Armstrong, Colin Middleton,George Campbell and Barrie Cooke;   in the late 60’s he added Deborah Brown, Sonja Landweer and Frank Morris.  In 1963 he supported the Independent Artists Group with an exhibition New Works by Five Artists which showed Brian Bourke, Michael Kane, John Kelly, David O’Docherty and James McKenna.

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Guest Blog: Artist Caroline McCarthy

Irish artist Caroline McCarthy recently worked in collaboration with Marguerite O’Molloy, Assistant Curator: Collections IMMA, to select a number of works from the IMMA Collection for Group Coordination an exciting new project which also incorporates works on loan from McCarthy’s studio.

Borrowing its title from a sculptural still life by McCarthy, Group Coordination is part of the current IMMA Collection: Conversations exhibition. Below, Caroline writes a blog for IMMA on the project:

CMcC-GCoord-001Caroline McCarthy, Group Coordination (Red),
2011, installed at the Irish Museum of Modern Art, 2014

Group Coordination is a drawing as big as the space; a journey which explores its architecture, responding to paintings and window ledges alike.

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