IMMA BLOG

IMMA – Irish Museum of Modern Art


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Let’s talk about love

“This is an unashamedy sensual show, by turns exotic, repulsive, shocking, challenging and yet deliberately thoughtful throughout” Cristín Leach Hughes, The Sunday Times.

We are now in the final three weeks of the major exhibition What We Call Love: From Surrealism to Now which ends on Sunday 7 February. Alongside the exhibition IMMA has presented an extensive programme of screenings, talks, events and live happenings to open up conversations and bring you deeper into the artists’ work. We have gathered together all the resources from the exhibition in this blog, see below, making a perfect introduction to the work, or if you have already visited, a place to delve deeper for further information.

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Video:: What does love mean to you?

The curators of the major exhibition What We Call Love: From Surrealism to Now, Christine Macel, Chief Curator, Centre Pompidou, Paris, and Rachael Thomas, Senior Curator: Head of Exhibitions, IMMA, introduce the core ideas and themes within the exhibition. Also we ask members of the public ‘what does love mean to you?’


What We Call Love: From Surrealism to Now is on at IMMA from 12 September 2015 – 7 February 2016. Admission: €8.00 full price, €5.00 concession (senior citizens and the unwaged), under 18’s and those in full time education free. Admission free for IMMA Members plus one guest, >arrow linkclick here to become a IMMA Member.

Visitors are advised that this exhibition contains adult themes and explicit imagery. Please speak to a member of staff for further information.

 


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Video:: Karen Sweeney introduces Karla Black

Karen Sweeney (Exhibitions, IMMA) introduces Karla Black’s dynamic new body of sculptural work currently on show in the gallery spaces of IMMA.  Continue reading


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Video:: Marguerite O’Molloy introduces ‘Fragments’

Marguerite O’Molloy (Collections, IMMA) introduces the current exhibition: Fragments, which will run until 26 July. Fragments encompasses a wide variety of examples from the IMMA Collection, ranging from the 1950’s through to contemporary works recently acquired for the Collection.

This exhibition borrows its title from Philosopher Walter Benjamin’s comparison of the work of translation to re-assembling fragments of a broken vase – the individual fragments must come together, but need not be like each other. This could also be taken as an allegory for exhibition making, or collecting.

The exhibition includes the first-showing since their acquisition of a number of recent works by Irish artists, including The sky looks down on almost as many things as the ceiling, (2013) a wall based sculpture by Aleana Egan and commissioned works by Ronan McCrea and Alan Phelan. The latter two are lens-based works titled Medium (Corporate Entities) and Include me out of the Partisan Manifesto, which resulted from IMMA’s programme of temporary exhibitions. McCrea’s photographic enquiry into spaces where corporate art collections are hung, took place before the economic collapse.

Caoimhe Kilfeather’s newly acquired lead sculpture Abbreviation, (2011) joins works by Michael Warren, Shirazeh Houshiary, Brian King and Kathy Prendergast selected from the IMMA Collection. These works have an aesthetic and historic affinity with the sculpture and drawing of Gerda Frömel – whose retrospective, will be running concurrently in IMMA’s Garden Galleries.

GILBERT & GEORGE’s large-scale photowork Smoke Rising, (1989), Nigel Rolfe’sDance Slap for Africa, (1983) and will be shown along with other activist works or works with emphasis on performance including a film by Phil Collins and historic works by Marina Abramović.

Fragments will include a number of Subjectivist works by WW II imigrès, the White Stag artists, bequested by the late artist Patrick Scott to IMMA in 2014.  Scott exhibited with the White Stag from 1941 and the group swopped each others paintings.  The donation is particularly rich in key works by Kenneth Hall who was a close friend of Scott.

Now in her 85th year, Camille Souter’s works included in Fragments are among some of her finest works of the 1950s and 60s and show her interest in Miró, Klee, Jackson Pollock and Arte Povera. In 1958 Lucio Fontana bought two of her paintings.

A pioneer of Conceptual Art and author of the renowned Inside the White Cube, Brian O’Doherty / Patrick Ireland’s enduring obsession with themes of language, perception and identity are represented by a selection of his works from the IMMA Collection dating from 1954 onwards and include a major new Rope Drawing which is a recent gift to IMMA by the artist, entitled: The doors to good and evil and the windows to heaven – Christina’s World,  Rope Drawing No # 124,  2015.